{"title":"BROOK ANDREW | ROLLERCOASTER","description":"\u003ch2 class=\"event_title\"\u003eBROOK ANDREW | ROLLERCOASTER: winhangadurinya in motion\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003e6 June – 30 August 2026\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"dual-duel-by-brook-andrew-trent-walter","title":"Dual\/Duel by Brook Andrew \u0026 Trent Walter","description":"\u003cp\u003e\u003cspan\u003eThis is a collaborative artists’ book by Brook Andrew and Trent Walter, drawn predominantly from the State Library of Victoria’s pictures collection, with interventions from the artists’ archives. A series of juxtaposed image propositions, its assembly forms new relational narratives connecting the artists’ cultural perspectives of Wiradjuri\/Sri Lankan\/Celtic\/European with topics of conflict, immigration, hope, confusion, complicity and power amongst image, shape, concealment and shadow. This practice of image juxtaposition is prevalent in Andrew’s and Walter’s artistic and cultural practices which re-define how the world can be reordered and seen. This perspective shifts ideas around building memories, timelines and making visible often devastating histories in ways that can hopefully heal: to imagine new ways to engage and acknowledge. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDual\/Duel creates a new space for looking through often cliché, but specific, images of power and narrative. The artists’ book simultaneously creates and examines pictorial connections that explore the implications of these associations to form new narratives about how we might begin to explain the histories they conjure.Dual\/Duel is the result of a Georges Mora Fellowship awarded to the artists in 2014. The publication includes an interview with Maxine Briggs, Koori Librarian at the State Library of Victoria (SLV), Australia, who worked closely with the artists on Australian Indigenous protocols that apply to SLV photographic collections.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eEdition of 500\u003cbr\u003e136 pages\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003eHardcover, clothbound\u003c\/span\u003e\u003c\/p\u003e","brand":"Books At Manic (Distribution)","offers":[{"title":"Default Title","offer_id":51118459191529,"sku":null,"price":100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0282\/1718\/0205\/files\/DualDuel_brookandrew_cover.jpg?v=1779506880"},{"product_id":"nirin-ngaay-by-brook-andrew-jessyca-hutchens-stuart-geddes-trent-walter","title":"NIRIN Ngaay by Brook Andrew, Jessyca Hutchens, Stuart Geddes, Trent Walter","description":"\u003cp\u003e\u003cspan\u003ePublished as part of the 22nd Biennale of Sydney (2020), titled NIRIN (a Wiradjuri word meaning 'edge') this book is a space where ideas, themes, research, and experiments arising out of NIRIN find places on pages. Traversing many disciplines and forms, encompassing new and previously published works, complete works as well as excerpts and fragments and responses, each piece may ask for new modes of reading and seeing.Instead of disorienting, we see many lines darting and weaving across these works, beautiful moments of syncing and overlap, affective and abstract resonances, moments of density, as well as pauses to breathe deeply.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e394 pages\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003eSpiral bound, paperback\u003c\/span\u003e\u003c\/p\u003e","brand":"Books At Manic (Distribution)","offers":[{"title":"Default Title","offer_id":51118728315113,"sku":null,"price":60.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0282\/1718\/0205\/files\/Nirin_Ngaay__brook_andrew_cover.jpg?v=1779512654"},{"product_id":"marramarra-indigenous-artists-making-history-visible","title":"marramarra: Indigenous artists making history visible","description":"\u003cp data-block-key=\"n2iqk\"\u003eIndigenous artists from across the planet provide truth-telling about the past and inspiration to imagine better futures.\u003c\/p\u003e\n\u003cp data-block-key=\"fgicu\"\u003e\u003ci\u003emarramarra\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(a Wiradjuri word meaning to create, make or do) explores how contemporary Indigenous artists and their communities are revealing hidden histories and finding pathways to healing.\u003c\/p\u003e\n\u003cp data-block-key=\"1dm8k\"\u003e\u003ci\u003emarramarra\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eshares conversations with leading contemporary artists, including Tuppy Ngintja Goodwin (Pitjantjatjara, Arrernte, Australia), Judy Watson (Waanyi, Australia), Rebecca Belmore (Anishinaabe, Canada), Nicholas Galanin (Tlingit and Unangax̂, Alaska) and Pauliina Feodoroff (Skolt Sámi, Finland). Indigenous Elders and knowledge holders also provide insights about important community projects, places of memory and history lessons about colonisation.\u003c\/p\u003e\n\u003cp data-block-key=\"fja0a\"\u003eLed by Indigenous voices and presenting ground-breaking artworks from the Pacific, Turtle Island (North and Central America), Brazil, Finland, Taiwan, Afghanistan and beyond,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003emarramarra\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eprovides new ways to think about the past and imagine a planet that is bright for Indigenous futures – a place that is better for all.\u003c\/p\u003e\n\u003cp data-block-key=\"9mrp7\"\u003eConsidered one of Australia’s most important artists and a leading international voice in advocating for Indigenous ways of knowing through contemporary creative practice,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eDr Brook Garru Andrew\u003c\/b\u003e’s practice is grounded in his perspective as a Wiradjuri and Ngunnawal person. Brook is Enterprise Professor in Interdisciplinary Practice and Director, Reimagining Museums and Collections at the University of Melbourne and Curator (First Peoples) at Guggenheim Abu Dhabi.\u003c\/p\u003e\n\u003cp data-block-key=\"e6vtt\"\u003e\u003cb\u003eDr Jessica Neath\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis a non-Indigenous Australian art historian of settler descent living and working on Boonwurrung Country in Melbourne. She is a Research Fellow in the Wominjeka Djeembana Indigenous research lab at Monash University.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Paperback\u003cbr\u003e256 Pages\u003c\/span\u003e\u003c\/p\u003e","brand":"NewSouth Books","offers":[{"title":"Default Title","offer_id":51143700676841,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0282\/1718\/0205\/files\/marramarra_cover.jpg?v=1780452893"},{"product_id":"brook-andrew-theme-park","title":"Brook Andrew - Theme Park","description":"\u003cp\u003e\u003cspan\u003eThis book is the illustrated hardback that accompanied the Brook Andrew show featuring essays by Marcia Langton, Nicholas Thomas and Anthony Gardner, an interview by Maria Hlavajova with Brook Andrew and three bookmarks in land rights colours.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBrook Andrew’s 'Theme Park' at the Aboriginal Art Museum of Utrecht (known as AAMU) was an installation throughout the entire building rather than merely an exhibition. It pulled together works from collections of ethnography in Holland, Belgium and France as well as old and contemporary art, Andrew’s own work and stuff from his collection of Aboriginal kitsch and Australiana. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe exhibition combined new and recent work from The Island series, 2008, and video work Interviews, 2006, as well as creating site specific installation work incorporating Aboriginal objects from private and public museum collections including the Royal Museum of Central Africa (Musée royal de l’Afrique centrale), Brussels.\u003cbr\u003e\u003cbr\u003eIn his introduction AAMU curator Georges Petitjean points out that the Aboriginal people of Australia have a special historical place in the European imagination not held by any other indigenous people such as those of Africa or America – he explains this to be the case on the basis of distance and the lack of political engagement or shared history with them, thus they can remain noble savages ‘blending harmoniously with the alien but desired landscape of Australia, and possessing secrets … lost to Europeans in the darkness of time.’\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe cover is cloth bound with black and silver (silver not shown). T\u003c\/span\u003eext in English and Dutch for the exhibition at the Museum of Contemporary Aboriginal Art, Utrecht, October 17 2008 – April 13 2009.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHarcover\u003cbr\u003e124 Pages\u003c\/span\u003e\u003c\/p\u003e","brand":"Brook Andrew Studio","offers":[{"title":"Default Title","offer_id":51148019400937,"sku":null,"price":65.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0282\/1718\/0205\/files\/BrookAndrew_ThemePark.jpg?v=1780640410"},{"product_id":"brook-andrew-sanctuary","title":"Brook Andrew - Sanctuary","description":"\u003cp class=\"Paragraph-module__0Y9OWW__paragraph Paragraph-module__0Y9OWW__base\"\u003eThe world dramatically changed after the outbreak of World War I and Australia was not excluded. WWI was described as the war to end all wars, but it would be a mere two decades before Europe was once again plagued by a major conflict. Australia has played its role in both of these wars and many other conflicts since.\u003c\/p\u003e\n\u003cp class=\"Paragraph-module__0Y9OWW__paragraph Paragraph-module__0Y9OWW__base\"\u003eWars leave a lasting impression on those who participate, on those left behind and on future generations who look to them for remembrance, lessons and identity. However, often parts of the narrative become fractured or are simply forgotten. They remain on the periphery wanting to be heard to ensure that our history is inclusive and true.\u003c\/p\u003e\n\u003cp class=\"Paragraph-module__0Y9OWW__paragraph Paragraph-module__0Y9OWW__base\"\u003eLikewise, important reactions post war, which seem unrelated and incidental, help shape community and nations.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBrook Andrew. Sanctuary: Tombs of the outcasts\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eseeks to give voice to aspects of history which have become silent and reveals Australia as a place of sanctuary. It aims to ask questions about what we remember, personally and as a collective, and how we commemorate.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHarcover\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Brook Andrew Studio","offers":[{"title":"Default Title","offer_id":51148023136489,"sku":null,"price":50.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0282\/1718\/0205\/files\/BrookAndrew_Sanctuary.jpg?v=1780641227"},{"product_id":"brook-andrew-hope-peace","title":"Brook Andrew - Hope \u0026 Peace","description":"\u003cp\u003eIn the\u003cem\u003e Hope \u0026amp; Peace\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eseries, eminent Indigenous academic, activist and a key commentator on the work of Brook Andrew, Professor Marcia Langton, stated:\u003c\/p\u003e\n\u003cp\u003eElements of Wiradjuri visual and spoken language intertwine to empower Andrew’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHope \u0026amp; Peace\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eseries of screenprints. Here slick advertising brands of cigarette packaging, chewing tobacco and chewing gum explode incongruously out of Wiradjuri texts and optical geometry in a dynamic echo of Russian Constructivism. The series unpacks contemporary global advertising by disclosing the way in which capitalist multinational corporations seduce consumers into buying the ultimate in First World consumer goods—cigarettes—through disingenuous trademarks such as ‘Peace \u0026amp; Hope’ and ‘Frontier Lights’. Andrew also teases out the repercussions of brand names, including BlackBlack (high technical excellent flavour) and Black \u0026amp; White Special Cut, which serve to commercialise and glamorise at the same time as obfuscating difference.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExhibition catalogue (Gallery Gabrielle Pizzi)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePaperback\u003cbr\u003e36 pages\u003c\/span\u003e\u003c\/p\u003e","brand":"Brook Andrew Studio","offers":[{"title":"Default Title","offer_id":51148030738665,"sku":null,"price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0282\/1718\/0205\/files\/BrookAndrew_HopeandPeace.jpg?v=1780641567"},{"product_id":"brook-andrew-edidence","title":"Brook Andrew - Evidence","description":"\u003cp\u003e\u003cspan class=\"a-text-italic\"\u003eEvidence: Brook Andrew\u003c\/span\u003e\u003cspan\u003e is an immersive installation and publication that draws on the rich and varied Museum of Applied Arts and Sciences collection to explore the theme of evidence. Brook Andrew is internationally recognised for his interdisciplinary practice that often interrogates knowledge systems, history, identity and race.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eEvidence\u003c\/span\u003e\u003cspan\u003e , Andrew weaves together unexpected and perhaps overlooked objects and materials from the MAAS collection with specially commissioned artworks, suggesting different ways of interpreting objects and their history. Featured objects include Governor Macquarie's chair, a 'black box' flight recorder, a Maralinga souvenir clock, a Brown Bess musket, a surgical table and colonial breastplates along with 19th-century ethnographic photographs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe installation opened at the Powerhouse Museum in October 2015. The publication will follow in early December and will include views of the installation as well as an interview with Andrew reflecting on his artistic philosophy and practice, an essay by legal academic Katherine Biber on the use of criminal evidence in art, and essays by MAAS curators that further explore the themes of evidence, stereotypes, interpretation and material culture through selected Museum objects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePaperback\u003cbr\u003e130 pages\u003c\/span\u003e\u003c\/p\u003e","brand":"Brook Andrew Studio","offers":[{"title":"Default Title","offer_id":51148034867433,"sku":null,"price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0282\/1718\/0205\/files\/BrookAndrew_Evidence.jpg?v=1780641817"},{"product_id":"brook-andrew-archive-2015","title":"Brook Andrew - Archive 2015","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePaperback\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Brook Andrew Studio","offers":[{"title":"Default Title","offer_id":51148041552105,"sku":null,"price":35.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0282\/1718\/0205\/files\/98904629-6A12-4707-8B67-6180CDE83C95.jpg?v=1780642431"},{"product_id":"brook-andrew-de-anima","title":"Brook Andrew - De Anima","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePaperback\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Brook Andrew Studio","offers":[{"title":"Default Title","offer_id":51148041650409,"sku":null,"price":13.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0282\/1718\/0205\/files\/2C7266FB-EC1C-4F86-8AAD-5E01808D4947.jpg?v=1780642607"}],"url":"https:\/\/shop.maph.org.au\/collections\/rollercoaster.oembed","provider":"MAPh Shop","version":"1.0","type":"link"}